FOURTH GRADE CURRICULUM

In fourth grade, students begin exploring intentionality in artwork, learning how artists use the elements and principles of design to express specific ideas and moods to their viewers. From designing their unique signatures to painting along with music, this group will use a multitude of art materials and reflect on how best their messages can be delivered through creative processes. 

Art for this grade level is both a process and product based phenomena; as such, children are guided towards a more concrete understanding of proper material-usage in relation to final work. Students engage in controlled and experimental activities, and share discoveries with one another whilst expanding critical thinking skills in their own independent written responses. Complexity grows as intention matures compositions, thus the establishment of exhibition impact and power of the individual voice is recognized and cherished. 

 

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NEWSPAPER CUPS

In this lesson, students explore how artists can use recycled materials to make unique pieces of work. Using newspaper strips, tape, and a whole lot of patience, the fourth graders put their hand strength to the test as they wound strips of the recycled product round and around holding tight tension to create a solid set of cups and bowls. 

SPECIAL NOTE - HONORABLE MENTION: This was the first time I have conducted this project. While I am of course the teacher, I am also a proud learner in my own classroom. I feel it is important to share the following story and praise the student who inspired it. His work is the reason I have adjusted this project for the better next year. I was proud to learn from and be awed by his diligence and process. 
The newspaper cup project was in the final stages of completion, but a unique fourth grader, Aaron, began his own paper cup mission completely unbeknownst to me at home. His method involved cutting large strips of construction paper -- by hand! -- instead of newspaper, and making a variety of his own cups. When Aaron came to me with over half a dozen "pucks" ready to be molded into "cup" form, truly it was hard to keep back tears I was so proud and surprised. He not only used free time for creative practices, but he applied his own technique and ideas to expand on a subject I had taught, thusly teaching me a better approach to this project. The final products varied in size, shape, and color and I must say, his method of using single strips instead of bunches of newspaper strips all at once, was more manageable for this age group. I have indeed decided that next year -- while the recycled aspect is really neat -- I should start this project with the single colorful strips, and allow students the opportunity to use the newspaper once they become comfortable with the technique. Aaron seemed to work backwards -- he mastered the difficult task and then, in a production business-style mindset, used materials the most accessible to him and spent hours creating for a small business, that I hope is flourishing, as well as gifts for others. 
Aaron continued coming to the art room before school, and during the day to continue working on his cups until the very last half-day of school. I even gave him a bunch of construction paper to continue work over the summer and not 40 minutes later he had already created another one--this borderline beats my own speed! This young guy is a learner, a teacher and explorer. I was lucky to have such an exemplary student during my first year of teaching. He deserves the utmost of honorable mention. Kudos Aaron. And thank you!


RADIAL RELIEF SCULPTURES

It was time to take our flat-to-form theme of fourth grade to the next level. With these partial 3D relief sculptures, students learned how to manipulate 2D material into 3D forms using origami paper folding techniques. With just three simple folds, students were given complete autonomy with their designs -- the only requirement: symmetry. They were so spectacular that I kept them decorated around the art room for the entire year!


Student Work

Student Work

WINTER VALUE LIGHTS

In this lesson, students began working on their technical ability of making a 2D drawing look like a 3D form. How do we do this? Value! Using shading techniques with oil pastels and creating halos using chalk pastels, our hands were always messy, but these winter lights brightened the halls gloriously during the dark winter months. 


CITYSCAPE REFLECTIONS

I decided to move this lesson from second to fourth grade as it's an excellent opportunity to reinforce a multitude of art theories: color, line, shape, and space. We first reviewed lines and shapes and discussed how overlapping can create space and depth on a 2D (flat) surface. After finishing simple line drawings of cityscapes, students traced those drawings onto styrofoam printing plates. We then painted our backgrounds warm and cool colors. Time for printing. Students printed the reflection of their cityscapes on the lower half of their backgrounds, and then we attached the styrofoam plates to add some texture and a 3D element to the top. So beautiful and serene!


OLDER WORK FROM 2016 - 2017

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MASKS

In this lesson, fourth grade students will learn about a variety of origin stories involving masks. Our medium of choice is paper, so these artists will learn how to manipulate 2D sheets into 3D structures. Sketching out their ideas first, we will brainstorm the initial shape and intention of our masks before learning about paper folding, twisting, and tab-making in order to produce a wide range of colorful and meaningful masks.  


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MONET ON MY MIND

As experts on understanding the power of color, fourth graders study Claude Monet and Impressionism as they create small landscapes, seascapes, or cityscapes. Understanding that the movement focuses on essence, instead of detail, students are encouraged to keep things simple and let the color bring the piece to life. Using watercolor pencils, the children are motivated away from detail and to embrace the "scribble" marking, as it were, to create the impressionist style sans paint. 

Some students will accept the challenge of creating two identical scenes featuring two different color schemes and witness how color choice can change the entire mood of a piece of art. 


GRIDLOCKED

Inspired by artist, Chuck Close, this lesson introduces the grid technique to students as a method of drawing self portraits. Understanding the importance of working from small steps and how to break down seemingly inaccessible tasks, students dissect the human face into simple lines and shapes to recreate their own likenesses. Fourth graders learn about contour lines and adding value to make a facial illustration pop off the page.


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BACKLIT

In this lesson, students design a silhouette inspired by colors that express a specific mood and/or theme. Students experiment with the process of tinting and shading using tempera paint, and apply skills learned to produce a background. They then sketch ideas and finalize silhouettes inspired by the color(s) of that background.


PAINT YOUR OWN KIND OF MUSIC

In this lesson, fourth graders learn that Wassily Kandinsky often used music to inspire his abstract paintings. Students paint along with different music ranging from Catalan finger style guitar to classical cello and piano concertos. They use sponges, Q-tips, brushes and other found objects to print, paint, and create designs that they feel best represent the music their are hearing. Listening to the beat and letting the sound guide strokes and marks, the fourth grade artists discover the incredible process of intuitive abstraction.


LINED OVER MATTER

In this lesson, students will create two or more landscapes, seascapes, or combination of both with watercolor paint. They will then choose one painting and use thin sharpies to illustrate a line drawing on an acetate sheet that will overlay their background. The drawing will display a simple narrative as influenced by their setting and color choices.


TEACHER BENCHMARK

TEACHER BENCHMARK

WHEN FALL COMES TO NEW ENGLAND

In this lesson, fourth graders review warm and cool color theory while blending crayons to make these calm floating leaves.